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Create Custom Photo Brushes
Create Custom Photo Brushes
Опубликовал(а) Алексей Викторович
22.10.2015
По умолчанию Create Custom Photo Brushes



This is a new version of our previous half sepia tutorial. This version of the half sepia photo effect has higher contrast and works better for more photos.


Preview of Final Results



Half Sepia 2 Photoshop Tutorial

Step 1

Open a photo inside Photoshop. The half sepia photo effect works on most photos but is most useful for images with high saturation.



Step 2

In the Layers palette, click on the button and select Hue/Saturation.



The Hue/Saturation tool will appear. First, checkmark the Colorize option near the bottom right corner. Copy the settings from the image below then click OK.



Your image should now have a bright sepia tone.



Step 3

We will now work on the layer mask of the Hue/Saturation adjustment layer. Make sure that you have the layer mask selected by clicking on the layer mask thumbnail in the Layers palette.



Choose Image > Apply Image and use the default settings. The only setting that you may need to adjust is the Invert setting. If you leave the Invert option unchecked, the sepia tone effect will only be visible in the brighter areas of your image. If you enable the Invert option, the sepia tone will be visible only in the darker areas of the image.




Step 4

Now we’ll add a black and white adjustment layer. In the layers palette, click on the button and choose Black & White. If you are using Photoshop CS2 or older, you will not have the Black & White menu option. Instead, choose Channel Mixer.



The Black and White or Channel Mixer (If you’re using Photoshop CS2 or older) settings will appear. Simply click OK with any settings. We’ll go back to edit the settings later.



Change the blending mode of the new Black & White or Channel Mixer adjustment layer to Soft Light.



Double click on the Black & White or Channel Mixer adjustment layer thumbnail to bring back the settings. Adjust the settings while looking at the preview to get the results that you desire. If you are using the Channel Mixer tool, checkmark the monochrome option.



Half Sepia 2 Final Results





Preview of Final Results



Step 1

Open Photoshop and open a photo to use as a brush. It should be something that would work in a pattern, where the content of the photo is obvious as various sizes. I’m using this “blue angel wing” I found on iStockPhoto. IT should be relatively large, perhaps 1000 pixels for both width and height. If you create a brush at a small size, setting the brush to a larger size than originally created will cause it to lose resolution. But making it smaller is no problem, just like resizing a photo.


© ISTOCKPHOTO/DON WILKIE
Optional: You can download this file to use at www.istockphoto.com or use a similar one.

Step 2

To first define a brush, we need to select the area. Click the Rectangular Marquee tool on the toolbar.



Step 3

Click-and-drag a selection around the photo. We don’t need to remove the white pixels first because they will be transparent in a brush.



Step 4

Go to Edit>Define Brush Preset.



Step 5

Name the brush something that matches the image, and click OK.



Step 6

Now that we have the brush defined, go to File>New and create a new file at 1024 x 768. Click OK.



Step 7

Click the Brush tool on the toolbar.



Step 8

Click the arrow on the Options palette which will bring down the brush styles and size options. Scroll down and click the brush we just created. You can change the size here, or change it by pressing the left and right brackets to make the size smaller or larger. Bring the size of the brush to something much smaller, such as 100.



Step 9

Go to Window>Brushes to bring up the Brushes palette. This palette has a lot of options for the Brush tool. Change the Shape Dynamics to these settings by clicking on Shape Dynamics then sliding the sliders. The brush can rotate to a certain degree as we brush. Try various settings as the preview shows how the brush will look.



Step 10

Change the Scattering to the settings shown here. Scattering does just that—scatter the brush as we brush. Try various settings as the preview shows how the brush will look.



Step 11

Change the Hue Jitter to 12%, because we want to somewhat adjust the hue as the brush is clicked-and-dragged, but within a certain range. Setting it to 100% would cause it to include the entire color range.



Step 12

Now for the fun part: click-and-drag with the Brush tool in a curve.



Step 13

Whatever color is selected in the Foreground in the toolbar is the color of the brush. You can have a jitter between the foreground and background color as well as hue jitter from the foreground color.



Step 14

If you create a second curved brush path like this, click on New Layer on the Layers palette first, so that we can adjust the layer blending mode on the Layers palette. In this example, I adjusted the top layer blending mode to Multiply.



Step 15

Try various photos and converting them to brushes using the same steps here. Brushes with added Shape Dynamics and Scattering can help create a unique background, such as this one created with a photo of Polaroids.



Step 16

This one was created with a scan of tape. Besides creating unique paths, backgrounds are often created with such brushes.

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